Types of nonverbal communication Can support struggling writers
Using various types of nonverbal communication in teaching writing
assists students whose preferred learning modes do not use words,
such as those who learn best through images or my hands-on activities.
Obviously, since writing is a verbal activity, you cannot avoid
using language to teach and test writing skills. However, you can
and should supplement spoken and written explanations
with nonverbal cues, examples, and support.
Typefaces and their enhancements
Because type is used to display words, you may not realize that
the appearance of words can convey meaning quite apart from the
meaning of the words. Your students are familiar with some nonverbal
typeface communications from their reading:
In a nonfiction text, the relative importance of ideas is shown
by the size of heads and subheads.
Boldface is used to emphasize important ideas in a text.
Italics call attention to a word used as a word or a letter
used as a letter. Italics also are used to identify titles of
publications, including such publications as TV shows and DVD
titles as well as print publications.
Putting something in all caps is the printed equivalent
of shouting.
Typefaces can also be used to convey information about message
content. For example, look at these three type samples:
You could use an usual typeface to suggest an idea, such as the
setting of a literary work or the degree of formality required by
various kinds of writing.
Hint: Confine your use of specialty faces to use as accents, such
as a headline. Don't use them for body copy.
It would be stupid for us to revert to teaching writing via pictographs,
but it is equally stupid for us to ignore the value of graphic images
for many learners.
Graphic elements:
Can convey certain information more efficiently than words.
Are more easily read by some students than words.
When teaching writing to a students who struggle with reading,
supplement your verbal instruction with icons, avatars and
similar pictorial types of nonverbal communication.
People who are not particularly visual may not realize how much
information can be communicated by shapes. For example, seeing particular
shapes triggers specific driver behaviors.
Shapes also can convey to students the amount and kind of written
response needed. For example, a 2x8-inch piece of paper suggests
a list; a 6x4-inch piece of paper suggests a paragraph; an 8.5x11-inch
piece of papers suggests several paragraphs or more.
2-dimensional images
Aside from body lanaguage, the most commonly used types of nonverbal
communications in the classroom are probably 2-dimensional images
such as charts, posters, drawings on a whiteboard,
photographs and videos.
In teaching writing, charts and posters provide a handy way of
reminding students of steps in writing. Fill-in images, such as
the outline template,
combine visual reminders of strategies and relationships as well
as providing a place to record information.
English teachers rarely use 3-D images, but they can be very useful
in helping students to record spatial information. For example,
you might use a doll house as a visual for starting a discussion
of organizing and selecting details to include in a physical description.
A large object that students could walk around and observe from
various vantage points could be useful for a discussion of point
of view.
Clocks, timers, calendars
Many struggling writers need reminders that the time available
to work on a writing project is limited. Clocks and old-fashioned
kitchen timers that tick off passing time help students be
aware of time.
Struggling writers often need help to break a big project into
manageable portions. Calendars are useful for planning backward
from a due date so work can be completed without undue stress.
Music
Music is one of the types of nonverbal communication that students
find most appealing, but which teachers rarely use to good advantage.
The trick is to find music that does not compete with the intellectual
effort of writing.
You can associate music with various writing tasks. A short, fast
piece of music would fit the task of getting a working thesis, for
example. You could use a waltz to cue students' use of the
evidence waltz.
You could use background music instead of a timer with students
who must learn to work against the clock but find a timer produces
too much stress.
Body language
Facial expression, gestures, hand signals, eye contact,
and touch can communicate to student messages such as:
"Your time is nearly up."
"You're doing a good job."
"That's an interesting idea. Tell me more."
You can calm a restless student by putting your hand on the back
of his chair or corner of her desk.
Nonverbal assessments
I've talked here only about using various types of nonverbal communication
in teaching students.
You can also have students use nonverbal communication in demonstrating
their knowledge. For example, students could prepare visuals that
describe a process or act out a writing process.
I would warn you that the only valid measure of writing skill
is student writing. Preparing a poster or making a video is
not the same as actually writing.
You must use types of nonverbal communication to
enhance students' written communication skill, not as a substitute
for that skill.
Teach all students
Teach all students
You save yourself a great deal of grief if you make up your mind to be satisfied
if students produce essays in which a thesis statement is supported by
roughly three points each of which is supported by about three pieces
of evidence.
Few teachers can boast that all their students reach that
level of writing skill. If yours do, you deserve a medal.
If one of your students becomes a great writer and the rest can't write a coherent sentence, you should be proscuted for fraud.
Linda Aragoni
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wants book
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you so much for your website and for responding to my emails. I can't tell you
how much I appreciate it.
I love how you are always looking to improve the course material
and how the class is set up. I have a sneaking suspicion you really want us
to learn, rather than just going though the motions of teaching.